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Sight & Sound

Sight & Sound (ISSN 0037-4806) is a British monthly film magazine published by the British Film Institute (BFI). The Independent newspaper has described it as "highbrow but accessible".

Sight & Sound was first published in 1932 and in 1934 management of the magazine was handed to the nascent BFI, which still publishes the magazine today. Sight & Sound was published quarterly for most of its history until the early 1990s, apart from a brief run as a monthly publication in the early 1950s, but in 1991 it merged with another BFI publication, the Monthly Film Bulletin, and started to appear monthly.

The journal was edited by Gavin Lambert from 1949 to 1955. From 1956 to 1990 it was edited by Penelope Houston, and then in its relaunched form by Philip Dodd. It is currently edited by Nick James.

Sight & Sound has a more highbrow reputation than other film magazines. It says it reviews all film releases each month, including those with a narrow art house release, as opposed to the more mainstream focus of its competitors. Sight and Sound also currently features a full cast and crew credit list for each reviewed film.

Every decade, Sight & Sound asks an international group of film professionals to vote for their greatest film of all time. The Sight & Sound accolade has come to be regarded as one of the most important of the "greatest ever film" lists. Roger Ebert described it as "by far the most respected of the countless polls of great movies--the only one most serious movie people take seriously."[1] The first poll, in 1952, was topped by The Bicycle Thief. The five subsequent polls (1962-2002) have been won by Citizen Kane.

Sight & Sound has in the past been the subject of criticism, notably from Raymond Durgnat, who often accused it of elitism, puritanism and upper-middle-class snobbery, although he did write for it in the 1950s, and again in the 1990s.

Sight & Sound's Top Films of the Year 2005

01. Brokeback Mountain
02. A History of Violence
03. La niña santa (The Holy Girl)
04. 2046
05. Mysterious Skin
06. Le conseguenze dell'amore (The Consequences of Love)
07. The Descent
08. Moolaadé
09. Sud pralad (Tropical Malady)
10. De battre mon coeur s'est arrêté (The Beat That My Heart Skipped)
11. Gegen die Wand (Head-On)
12. Hauru no ugoku shiro (Howl's Moving Castle)
13. Last Days
14. Solntse (The Sun)

Sight & Sound's Top Films of the Year 2006

01. Hidden
02. Volver
03. The Departed
04. The Queen
05. Red Road
06. The Three Burials of Melquiades Estrada
07. İklimler (Climates)
08. The New World
09. United 93
10. Pan's Labyrinth

Sight & Sound's Top Films of the Year 2007

01. 4 Months, 3 Weeks and 2 Days
02. Inland Empire
03. Zodiac
04. I'm Not There
04. The Lives of Others
06. Silent Light
07. The Assassination of Jesse James by the Coward Robert Ford
07. Syndromes and a Century
07. No Country for Old Men
07. Eastern Promises

Sight & Sound's All Time Greatest Films (Past 25 years) UK Critics' Poll

01. Apocalypse Now (1979)
02. Raging Bull (1980)
03. Fanny and Alexander (1982)
04. Goodfellas (1990)
05. Blue Velvet (1986)
06. Do the Right Thing (1989)
07. Blade Runner (1982)
08. Chungking Express (1994)
09. Distant Voices, Still Lives (1988)
10. Once Upon a Time in America (1984) (tie)
10. Yi Yi: A One and a Two (1999) (tie)

Source: Sight & Sound

References

  1. ^ "'Citizen Kane' fave film of movie elite". rogerebert.com. Retrieved on 2008-01-01.

Further reading

  • Pam Cook and Philip Dodd (eds): Women and Film. A Sight and Sound Reader, London: Scarlet Press, 1994, 287 p.
  • Jacqueline Louviot: Le regard de Sight and Sound sur le cinéma britannique des années 50 et 60 (What Sight and Sound Saw: Sight and Sound on British Cinema during the Fifties and Sixties), French doctoral thesis, University of Strasbourg II, 1997, 980 p.
  • David Wilson (ed): Sight and Sound. A Fiftieth Anniversary Selection, London: Faber and Faber in association with BFI Publishing, 1982, 327 p.

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